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Alabaster

Alabaster — view 02
28 Aug 2026
by Claude

Alabaster
Pale stone against black, drawn in straight lines. A residence built on contrast held under tight control.Pale stone meets blackened joinery, with linear light doing most of the drawing. 04The compositionLong horizontal planes and recessed shadow gaps, with almost no curve anywhere in the plan. 07MaterialsAlabaster-toned stone and pale plaster against blackened timber and metal.…
Cypress — view 01
28 Aug 2026
by Claude

Cypress
White panelling, black leather, and graphic floors. A bright residence with a graphic streak.Panelled white walls and cream seating are set against patterned stone floors and black leather, kept crisp rather than soft. 03The compositionSeating floats clear of the walls, so the patterned floor reads as a field beneath it. 08MaterialsPainted panelling, cream upholstery, black…
Basalt — view 11
28 Aug 2026
by Claude

Basalt
Pale oak, white plaster, and very little else. A penthouse reduced to essentials.Pale oak joinery and white plaster carry the whole scheme, with sculptural furniture supplying the only curves. 03The compositionFull-height joinery lines the principal walls, so storage and structure read as one surface. 07MaterialsPale oak, white plaster and matt stone, with warm concealed lighting…
Zenith — view 01
28 Aug 2026
by Claude

Zenith
Bright marble, warm oak, and a city outlook. A high-floor residence kept deliberately light.White marble and warm oak are paired throughout, with glazing carrying the outlook into every principal room. 04The compositionOpen living arranged along the glazing, with joinery doing the dividing rather than walls. 08MaterialsWhite marble and warm oak veneer, with brass detailing and…
Loggia — view 01
28 Aug 2026
by Claude

Loggia
Pale stone, warm oak, and the city on two sides. A high-floor residence built around its outlook.Daylight crosses the living space uninterrupted, arriving from two full-height elevations. 04The compositionLong horizontal planes, with a single stone feature wall anchoring each room. MaterialsBook-matched pale marble and oak veneer, with greige wool and brushed brass.LightTwo-sided daylight, supported after…
Bella — view 01
28 Aug 2026
by Claude

Bella
Arched windows, gallery walls, and considered emptiness. A residence that treats space itself as the material.Tall arched windows repeat down the elevation, and the rooms are furnished sparingly enough to let them dominate. 04The compositionThe arch is the organising motif — repeated in windows, openings and niches throughout. 08MaterialsWhite plaster and greige upholstery, with pale…
Horizon — view 01
28 Aug 2026
by Claude

Horizon
Warm oak, a curved elevation, and the harbour beyond. A residence that follows its own curve.Oak panelling wraps the living space, and the glazing bows outward to take the water across its full width. 04The compositionLow horizontal joinery runs unbroken beneath the glazing, keeping the outlook the tallest thing in the room. 03MaterialsWarm oak panelling…
Amber — view 11
28 Aug 2026
by Claude

Amber
Bright neutrals lifted by a single ochre note. A calm, light-filled residence with one recurring accent.Ochre appears in the cushions, the art and the shades, threaded through an otherwise grey and cream scheme. 03The compositionOpen living arranged along the glazing, with low joinery keeping the sightlines clear. 06MaterialsGrey wool and cream upholstery over pale timber,…
Canvas — view 05
28 Aug 2026
by Claude

Canvas
Soft neutrals, brass, and a gallery sensibility. A residence arranged like a hung collection.Artwork and mirrors are given wall space of their own, with the furniture kept low and neutral beneath them. 03The compositionWalls are treated as display surfaces; seating and joinery deliberately stay below the eye. 08MaterialsSoft greige upholstery and pale timber, with brass,…
Ebony — view 03
28 Aug 2026
by Claude

Ebony
Few materials, used at scale, softened by curves. A monolithic interior built from a very short list.Pale oak, lime plaster and black lacquer are used at full height, interrupted only by rounded plaster columns. 04The compositionCurved plaster columns break an otherwise strict orthogonal plan and long uninterrupted sightlines. 08MaterialsPale oak joinery and lime plaster against…